About the Event

        Art  

     Skegness

Why:

A Scot by birth I have lived in the Skegness region for the last twenty two years,  high on the list of favourite places I love to visit are the regions long sandy beaches, even though they are on my doorstep and visited almost daily. It has been a wish to create art on the beach for the last five years, last year saw a first project 'In search of Albion, expectation located in the foreign and nostalgia.' It was the forerunner of this event.


Ideas and Aims:

Tthe projects seek to investigate contemporary social concerns and develop a public forum in which they can be seen, examined and challenged. The broad aims of the project are as follows:

     1. Explore the theme, through works directly engaging the audience.

     2. Develop a vibrant contemporary artistic forum in the public arena.

     3. Develop an audience for contemporary art within the region.

     4. Provide a platform for developing artists to explore the medium of public art.

     5. Inform an audience of the potential of contemporary art.  

When setting out on this project one of the main selection criteria for the various projects was the audience engagement factor, the beach is a 'fun' place and the work chosen means the audience has to participate in and help to construct many of the pieces.


The 2009 Theme:

This artists chosen for the 2009 event, created their projects in response to the following informing statement;                           

‘It seems to me that I would always be better of where I am not, and this question of moving is one of those I discuss incessantly with my soul."    Charles Baudelaire.

In her book ‘Questions of Travel’; Caren Kaplan describes tourism as heralding the post-modern. ‘It is a product of the rise of consumer culture, leisure and technological innovation’. She also examines the origins of what is nostalgia in Western Culture, often born in forced exile from homeland, family and language. The sense of ‘lack’ felt in many modern lives is attached to this sense of romanticised exile Kaplan describes and we attach a permanent label to nostalgic pasts that were never permanent and this sense of permanence we transfer to future imagined destinations that will always be transient in nature. The pasts we imagine are part of how we define ourselves.

“It was in the writings but also in the actions and speeches and sermons of Black United States citizens that I began to experience the meaning of my whiteness as a point of location for which I needed to take responsibility." A. Rich 

Adrienne Rich ably demonstrates how it is through engagement with ‘others’ we are able to consider more clearly who we are ourselves. Through travel and journeys this engagement with the ‘foreign’ or ‘other’ whilst helping to locate and give new insights into the narrative by which we define ourselves, also transforms and produces new sections of the narrative. This new chapter in the narrative over which we have only limited control is compared to a contrived historical zenith in the story and is found wanting from some localities. These changes and their diversity are disturbing to us.

“A place on the map is also a place in history.” A. Rich

The French ‘Histoire’ translates as ‘story’, ‘an account’, which is what history is, it is the narrative by which we define ourselves. Sections of Western societies today seem to have located a highpoint in this narrative as a place on a map, a permanent imperial pinnacle, viewing today’s changes as an erosion of this ‘greatness’ which they must forever struggle to maintain. 

Travel and technological advances as well as fuelling the growth in tourist travel have also brought about an era of rapid and mass migration whether forced through conflict, or developed through political change and economic circumstances; our visits to ‘other’ destinations are creating the global village and there are inevitable consequences and changes. Whilst we are locating ourselves through visiting the ‘other’ we generate a consequential series of events, as the other re-defines itself.

Through travel we are the very envoys bringing the change we resist. 

 


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